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MANTEGNA, Andrea
Italian Early Renaissance Painter, ca.1431-1506
Italian painter and printmaker. He occupies a pre-eminent position among Italian artists of the 15th century. The profound enthusiasm for the civilization of ancient Rome that infuses his entire oeuvre was unprecedented in a painter. In addition to its antiquarian content, his art is characterized by brilliant compositional solutions, the bold and innovative use of perspective and foreshortening and a precise and deliberate manner of execution, an aspect that was commented upon during his lifetime. He was held in great esteem by his contemporaries for his learning and skill and, significantly, he is the only artist of the period to have left a small corpus of self-portraits: two in the Ovetari Chapel; his presumed self-portrait in the Presentation in the Temple (Berlin, Gemeldegal.); one in the Camera Picta (Mantua, Pal. Ducale) and the funerary bust in his burial chapel in S Andrea, Mantua, designed and probably executed by himself. His printmaking activity is technically advanced and of great importance, although certain aspects of the execution remain to be clarified. Related Paintings of MANTEGNA, Andrea :. | Agony in the Garden dth | The Court of Mantua (detail) ef | View of the West and North Walls | Dead Christ | The Adoration of the Shepherds sf | Related Artists: ralph vaughan willamsPeriod: Romantic (1820-1869)
Country: Germany
Born: February 03, 1809 in Hamburg, Germany
Died: November 04, 1847 in Leipzig, Germany Theodore Henry Fielding Fielding, TH (Theodore Henry), 1781-1851 Mario Villares Barbosapainted Nu feminino in 1880 - 1917
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